Saturday, April 21, 2012

Writer's Workspace: Trish Wylie

This week The Pink Heart Society visits Trish Wylie in her office... 

I started my writing career with a laptop, a Swiss Ball to prop up my feet and the sofa to sit on, but after several books which taught me being within reach of the TV remote wasn’t such a good idea, I turned my spare room into an office to separate work from leisure time.

After many days fighting with flat packs, tools and discovering I should have built the desk IN the room, I came up with a workable space. I now live in this room for more hours than I care to admit.

One of the most important things I’ve discovered I need are places to doodle down notes and stick post-its, so cork boards were a necessity. I keep everything from quotes to love notes from my nieces there. Keeping in mind the weakest part of my writing has always been beginnings I also took time to read several writing books and came up with a little set of prompt cards and ultimately a combined methods chart for structure. Anytime I get stuck I now refer to them to see what might be missing or where I should be in a story at certain points of the word count.

As many authors will tell you one of the greatest joys of being published with Harlequin is foreign editions of your books, so on the shelves they are arranged by country both to make it easier to see what has been out where and for the once yearly attempt I make to ensure they are registered for things like PLR and ALCS; library schemes which allow authors to collect royalties both at home and abroad. For anyone starting out I can highly recommend doing this at the START of your career. Eight years in it took a lot more work...
Some of the other essentials in my office are things like Rodale’s Synonym Finder (as you can see my copy is well used)-research books like Badge Of Honor which helped me learn about the life of a bodyguard for my current WIP-the little blue stone at the bottom of my screen which is supposed to help with inspiration-and the many statues of couples I have spread around the place to add a little romance. I’m also a notebook-a-holic and every WIP has at least one (sometimes several) with scenes or dialogue written longhand which I strike a line through when I’ve used them. Music is another essential; hence the speaker and the IPod. I also have an external hard-drive after burning out one laptop too many and discovering firsthand the naked fear which comes with the thought you might have lost several weeks of work.


Of late, while I’ve been playing with a longer book, I’ve also started to take advantage of all those wooden panelled walls by turning one of them into a giant pin board where I can work out a more complicated plot. Thankfully it’s behind me when I’m working, otherwise I’d be entirely too distracted by it and want to play with it all the time.

So there you go; a little glimpse into my writing cave. As is the tradition I have to thank the PHS for making me polish and vacuum before taking photographs. Usually it’s a lot messier than this and there would be numerous empty coffee cups sitting around, especially when we take into consideration how late this latest Brannigan brother book is and the fact I’m a chapter away from the finish line with edits...

To be in with a chance of winning the second book in the series, telling the story of Daniel Brannigan, an NYPD officer and reserve Marine, simply leave a comment and Trish will chose a winner a week from now.

New York’s Finest Rebel is available in the UK and Ireland as a Riva right now and will be released as a Harlequin Romance in August. For more details you can visit Trish’s website or follow her on Twitter.

Friday, April 20, 2012

MUST WATCH FRIDAY: John Carter

Riva/Harlequin Presents Extra author Heidi Rice explains why the film they've dubbed the Greatest Flop Ever Made actually has a lot to recommend it - and we're not just talking about Taylor Kitsch's biceps here, folks.

Based on a series of books by Tarzan author Edgar Rice Burroughs, John Carter is actually the movie from which all other sci-fi descends. The original stories that Burroughs wrote are the genesis of Steam Punk: A man cast adrift in another world where he has to save the day, an evil empire trying to subjugate a whole planetary system... Sound familiar? That's right, everything from Avatar to Star Wars have ripped off little bits and pieces, so when Disney decided to throw away a staggering $300million plus on this movie they must have thought they were on to a winner... Well, quite apart from the fact that it's pretty impossible to make a profit on a movie that cost that much, they also had the problem that when today's audiences saw it instead of thinking 'Wow, this is where it all began' they thought: 'Wait a minute, haven't I seem that somewhere before?' Oops!

But let's forget about what a gargantuan flop this has turned out to be now, and instead concentrate on little old me and my two boys going to see it on Sunday afternoon at London's IMAX cinema (because this blog is actually all about me!). And I have to admit we had a ball. Unfortunately the 3D projector had broken down so we didn't see it all in eye-popping dimensions, but frankly it was quite action-packed enough without having things lobbed at you from outer space. But what I enjoyed most about this movie (apart from Taylor Kitsch's extremely fit body) was the achingly romantic drama  behind all those very special effects.

This is after all a story of a man, a Civil War survivor, who has been wrenched away from everything that matters in his life. His wife and son have been cruelly murdered and he's living a dissolute and angry existence in the Old West when a strange medallion found in a cave full of gold whisks him away to another world. And I mean a whole 'nother world. He's on Mars folks, or rather Barsoom, where Dominic West in Orange Face (supported by some rather nasty shape-shifting superior beings) is busy decimating everyone who stands in his way. Among them is Lynn Collins's princess who is about to be forced to marry West when she runs off and encounters, yup you've guessed it, the gorgeous Taylor who not only doesn't have an Orange face but doesn't have many clothes either (cue delicious biceps) because he's been taken prisoner by a race of primitive creatures who are extremely impressed by his ability to jump great distances (something to do with Martian gravity, I think!!).

Anyway, to cut a rather long and involved story extremely short, Carter and the Princess don't like each other at first, but forced to trek across Mars's desert landscape together to find the source of Carter's medallion which will allow him to return to Earth, they do eventually fall in love. It's a predictable but beautifully done story with just the right mixture of action, spectacle, kissy scenes and big emotional moments to please both a mum and her two teenage sons.

And whenever following all those weird Martian names gets a bit too much, or the effects get a bit exhausting, it has some really heartfelt drama to fall back on. Especially in that pivotal moment when Carter is thrown back in time and space to the Old West against his will...



So OK, maybe it is the biggest flop ever made, but I still enjoyed it. And I would definitely recommend it as all-round family entertainment.

Heidi's latest book The Good, the Bad and the Wild is out now as a Riva in the UK and will be out in the US in July. The sister story Cupcakes and Killer Heels is also out in the US as a Harlequin Presents Extra. You can find out more about Heidi's books on her website, or come have a natter with her on her blog or on Twitter (@HeidiRomRice) or Facebook.

Thursday, April 19, 2012

The Revision Table - The Learning Curve of the New Author

 Scarlet Wilson is talking again about revisions today and showing her normally hidden, terrifying tables!



Today I have to admit that I'm probably going to terrify you with my scary tables - something we don't often use here at Pink Heart Society.  But there is a purpose to all this - honestly. 

Today I'm going to show you the before and after chart of revisions, in all its ugly glory.  Now, I could have just explained this, but it's so much easier just to do Show and Tell.

So here it is.  Pelican Cove, which came to be known as The Boy Who Made Them Love Again  published in Dec 2011 in the UK.  And this is what it looked like before the revisions took place.  Every scene summarised by a sentence, hopefully showing its purpose.  Along with some not so subtle notes such as GO FOR IT (chp 4, scene10!)

So what happened next?  I got a ton of revisions.  I had to completely change the ending of the story and add more layers to my conflict.  And that's where this table came in. 

Having a five page revision letter can be a fairly daunting thing.  I wanted to know how the changes would effect my timeline, the flow of the story and the motivations.  I wanted to know what the impact would be if I jiggled things around.

So this.......

 
Chapter
Scene
Purpose
Pg
1
1 A & E
Crisis point, meeting of Luke and Abby again after 5 years
1-14       
2
2 Side room
Confirm rupture of 1st lady’s membranes, plans
15-23

3 Changing room/cathlab/changing room
Luke’s confusion at why Abby is here, show his clinical expertise, kisses her, establish sexual tension between them
23-35
3
4 Canteen
Establish jealous feelings
36-40

5 Office A & E
1st lady staying/ health and safety issues
40-44

6 A & E
Invites him to stay, shocked to meet her son
44-52
4
7 Office
Luke told he has to stay in situation
53-57

8 With Abby
Finds out child is adopted and had ALL
57-64

9 With 1st Lady
Background
64-69

10 Abby & Luke
Walk home GO FOR IT
69-73
5
11 Her house
Meets son properly, sees the life she has created for them
74-78

12  Restaurant
Build sexual tension between them, tells her about his brother
78-87
6
13  Her house
Sex
88-95

14 Morning After
Establish her reluctance to share
95-100
7
15  A & E
Equipment arrives, Rueben injured, bruising noted
101-107

16  Canteen
Establishes her pain
108-110

17 A & E
Perform DNA test, send it away
111-112
8
18 A & E
Taking him home
113-115

19 Her house
Signs of coming out of remission
115-117

20 Her house
Luke returns
118-122

21 Hospital 1st Lady
Establish state of relationship
122-130

22 Returns home
Support from Luke
131-132
9
23 A & E
Abby Discover DNA test results, tells her about infertility
133-140

24 Cliff road
Accident
141-147

25 Luke at scene
Treating patient
147-151

26 Abby on bus
Luke is trapped
151-154
10
27 Cliff road
Abby finds help
155

28 Luke trapped
Sends message he loves her
155-156

29 Cliff road
Brings help, faints when hears message
157-161

30 Hospital room
Realises he’s alive, tells her he loves her
161-166
Epilogue
31 House
Adopted another child
167-168


Became this.......  You'll notice that the entire DNA testing and big trauma accident in the second half of the book completely disappears!


Chapter
Scene
Purpose
Pg
1
1 A & E
Crisis point, meeting of Luke and Abby again after 5 years
1-15
2
2 Side room

3 Changing room/cathlab/changing room
Confirm rupture of 1st Lady’s membranes, plans
Luke’s confusion at why Abby is here, show his clinical expertise, kisses her, establish sexual tension between them
16-38
3
4 Canteen
5 Office A & E

6 A & E
Establish jealous feelings
1st lady staying/health and safety issues
Invites him to stay, meet son
39-55
4
7 Office
8 With Abby

9 With 1st Lady
10 Abby & Luke
Luke told he has to stay in situation
Finds out child is adopted and has ALL
Background
Walk home GO FOR IT
56-76
5
11 Her house

12 Restaurant
Meet son properly, sees the life she has created for them
Build sexual tension between them, tells her about letting brother down
77-92
6
13 Her house
14 Morning after
Sex/condom issues
Establish her reluctance to share
93-106
7
15 Beach


16 Evening picnic
Spend day at beach, he does things with Rueben he wanted to do with brother
Establish Luke’s frustration at parenting
107-123
8
17 A & E

18 Canteen
Equipment arrives, Rueben injured, bruising noted
Establishes her pain, his starting to connect
124-134
9
19 A & E
20 Her house
21 Her house
22 Hospital 1st Lady
23 Returns home
Taking him home – alone
Signs of him coming out of remission
Luke returns
Establish state of relationship
Support from Luke
135-154
10
24 A & E

25 Outside A & E
1st Lady goes into labour and has baby girl – the effect this has on Abby
To show both are scared about relationship & Rueben’s health
155-166
11
26 Her house


27 Hospital appt
28 Bone marrow
He arrives to show support & take them to appointment. Abby’s fears of losing Rueben
Establish risks for Rueben
She crumbles & leaves, he stays firm
167-180
12
29 Bone marrow
30 Outside hosp
Dr diagnoses panic attacks
He tells her he’ll stay with her & proposes
181-189
Epilogue
31 House
Adopt another child


Now, I know tables can be confusing.  But really, it's just an extended and amended timeline.

It's also really useful from a Goal, Motivation and Conflict perspective.   Just really simplified.
And the planner in me NEEDS this.  I need to be able to see visually, methodically how I am doing everything.
Lots of people use other methods - pinboards, scrivner. post-it notes, One Note.  There are lots of different ways of putting your story out there in a simplified manner.

So how do you do yours????